Slowdive’s fifth studio album, everything is alive, released in September 2023, is a masterclass in aging gracefully within a genre defined by youthful intensity. Dedicated to the memory of Rachel Goswell’s mother and drummer Simon Scott’s father, the record transforms personal grief into a shimmering, hopeful exploration of presence. A Shift in Texture
The rhythms were softer but more insistent than before. Where once percussion might have sat politely in the background, now it threaded the songs together like a steady heartbeat, anchoring the drifting guitars and hazy vocals. Synths and loops shimmered around the edges—sometimes like heat over asphalt, sometimes like the silvering surface of a lake at dawn. Ambient passages unfurled into full songs, and songs collapsed back into silence with the same naturalness as breath in and out.
Here’s a helpful write-up on Slowdive’s 2023 album, everything is alive. Slowdive - everything is alive -2023- - album a...
The album clocks in at a lean 42 minutes—eight tracks that function less as individual radio singles and more as movements in a single, continuous dream.
Everything is alive is a document of persistence. It proves that after thirty years, after the silence, after the grief, the heart of this band is still beating—loud, clear, and beautifully distorted. Slowdive’s fifth studio album, everything is alive ,
The album is deeply personal, dedicated to the memory of vocalist Rachel Goswell’s mother and drummer Simon Scott’s father, both of whom passed away in 2020. While born from a period of profound grief, primary songwriter Neil Halstead notes that the record ultimately leans toward hope and vitality rather than darkness.
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The resurgence of the shoegaze genre in the 2020s is inextricably linked to the legacy of the "holy trinity" of the 1990s: My Bloody Valentine, Ride, and Slowdive. While My Bloody Valentine remains defined by mechanical stasis and Ride by Britpop-adjacent jangle, Slowdive has undergone the most compelling artistic evolution. Following the critical acclaim of their self-titled 2017 album, the band faced the challenge of avoiding nostalgia acts.
In the years leading up to the album, the band endured profound personal loss. Most notably, the death of keyboardist and guitarist Rachel Goswell’s mother and the passing of drummer Simon Scott’s father. Where their 2017 album dealt with the anxiety of reunion, everything is alive confronts the finality of death. But this is not a mournful record. It is a defiant one. Where once percussion might have sat politely in
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